Tag Archives: editorial

Treatment, demonstrations, and complexity

Vikki Burns was one of this year’s FameLab UK finalists. In this film, she describes her experience of drying on stage during the final, and what happened next. It’s a terrific, brave, positive film, and I’m hugely impressed with Vikki for saying what she does here. If you’re an academic thinking about entering FameLab, or of taking part in Bright Club or Science Showoff or the like, watching this film might reassure you that audiences are lovely.

It’s worth watching right through, though, because in some ways the second half of the film is even more useful. It’s Vikki’s final piece from FameLab. Get past the inevitably-artificial feel of watching a performance crafted for a stage being delivered to the unblinking gaze of a video camera, and I think the piece is instructive.

Continue reading Treatment, demonstrations, and complexity

MAKE | Maker Faire UK: Interview with Artist Giles Walker

I want ScienceDemo.org to be about demos, yes, but also about issues surrounding demos – how and why we do them, to whom, and to what end. So here we go. Make have an interview with a guy who’s exhibiting pole-dancing, CCTV-headed robots at Maker Faire UK this weekend. Worth a read:

MAKE | Maker Faire UK: Interview with Artist Giles Walker.

One of the things we discuss rather a lot in science communication circles is how to shift science and engineering further into mainstream culture. While the likes of Festival of the Spoken Nerd are taking great strides, it’s still notable that, for example, the ‘Cultural Olympiad’ surrounding last year’s London Olympics laughed all over the idea that STEM could be ‘cultural.’

This is one of the reasons I think Maker Faire is important. I’ve said before that while many STEM engagement projects are about STEM as career choice, Maker Faire comes from a completely different community and set of sensibilities. If it’s about STEM at all, it’s about STEM as lifestyle choice.

Maker Faire is chaotic, noisy, messy, and more than a little bewildering. It’s also joyous, inspiring, friendly, and pleasantly challenging. In my opinion it should be required reading on scicomms MSc courses, precisely because of that anarchic joy – it’s what happens when you take similar ideas to public engagement but develop them with a completely different group of people coming from a completely different viewpoint. In many ways, I prefer their interpretation of how things could be.

There’s a danger, I think, of the Cheltenham Science Festival and its ilk coming to represent ‘authorised’ science communication, and anything else being regarded with an air of suspicion (sometimes, when I’m hanging out with the London scicomms set, I wonder if this has already happened). There’s an orthodoxy to the sector which risks becoming bland. Maker Faire is doing a different job for a different audience, but the approach is so radical I think everyone should see it. Yet the usual scicomms community is notable largely for its absence. What should be worrying for them, I think, is how little they’re missed.

We’re not going to take STEM into mainstream culture unless we take the cultural sector seriously, and come to understand it on its own terms. Maker Faire UK is by far the best place to see the collision and interaction of the ‘two cultures.’ It’s a huge hit regionally, but I wish more of the opinion-makers and leaders made the arduous journey north to see it for themselves, and have their assumptions challenged.

Maker Faire UK runs April 27/28th at the Centre for Life, Newcastle. Details.